Guided Listening Parallagi: 4th & 1st Mode Heirmologic

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Question 1 of 8

1. Question
This is part of the 2nd Apostichon in Plagal 1st Mode—composed and chanted by Gabriel Cremeens. Listen to this excerpt and then choose which description matches what you hear.
- The first phrase ends on k/pa as does the second phrase.
- The first phrase ends on v'/ga and the second phrase ends on the k/pa.
- The first phrase ends on v'/ga, as does the second phrase.
- The first phrase ends on π'/thi, and the second phrase ends on k/pa.
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Question 2 of 8

2. Question
This is part of the 1st Apostichon in Plagal 1st Mode—composed by Gabriel Cremeens and chanted by Elaine Cremeens. Listen to this excerpt and then choose which description matches what you hear.
- The first phrase ends on v'/ga, the second phrase ends on v'/ga, and the last phrase ends on k/pa. The melody moves between k/pa and v'/ga for the most part but also goes one note above and below these two notes (Δ/ni and π'/thi).
- The first phrase ends on v'/ga, the second phrase ends on k/pa, and the last phrase ends on v'/ga. This mode moves in thirds, so the melody moves between the structural notes of k/pa and v'/ga the whole time.
- The first phrase ends on k/pa, the second phrase ends on v'/ga, and the last phrase ends on v'/ga. The melody moves between k/pa and v'/ga for the most part but also goes one note above and below these two notes (Δ/ni and π'/thi).
Correct

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Question 3 of 8

3. Question
This is part of the 2nd Apostichon in Plagal 1st Mode—composed and chanted by Gabriel Cremeens. Listen to this excerpt and then choose which description matches what you hear.
- The first phrase ends on k/pa as does the final phrase. The final phrase descends to Γ'/zo, which is common for the last phrase of Plagal 1st heirmologic hymns.
- The first phrase ends on v'/ga and the second phrase ends on k/pa. This mode moves in thirds, so the melody moves between the structural notes of k/pa and v'/ga the whole time and never goes outside of these three notes.
- The first phrase ends on v'/ga, as does the second phrase. The final phrase descends to Γ'/zo, which is common for the last phrase of Plagal 1st heirmologic hymns.
Correct

Incorrect
Question 4 of 8

4. Question
This is part of the 1st Apostichon in Plagal 1st Mode—composed by Gabriel Cremeens and chanted by Elaine Cremeens. Listen to this excerpt and then choose which description matches what you hear.
- The first phrase ends on k/pa and the second phrase ends on v'/ga. The last phrase descends to Γ'/zo, which is common for the last phrase of Plagal 1st heirmologic hymns.
- The first phrase ends on v'/ga and the second phrase ends on k/pa. The melody moves between k/pa and v'/ga for the most part but also goes one note above and below these two notes (Δ/ni and π'/thi).
- The first phrase ends on k/pa and the second phrase ends on v'/ga. The melody moves between k/pa and v'/ga for the most part but also goes one note above and below these two notes (Δ/ni and π'/thi).
Correct

Incorrect
Question 5 of 8

5. Question
This is part of the 1st Sticheron of the Praises in 4th Mode Legetos—chanted by Fr Panaretos Filotheitis. Listen to this excerpt and then choose which description matches what you hear. Father Panaretos has chants a lower vou that what you may be used to hearing. For this reason, the Ga may sound sharp sometimes.
- The first phrase ends on Thi and then the second phrase ends on Thi. The final phrase ends on Vou. There aren't any descents to Ni or phrases that end on Pa.
- The first phrase ends on Vou and then the second phrase ends on Thi. The final phrase ends on Vou, but at the end there is a descent to Ni where the Pa is attracted to the Vou on both the descent and ascent.
- The first phrase ends on Thi. The second phrase ends on Vou, but at the end of this phrase there is a descent to Ni where the Pa is attracted to the Vou on both the descent and ascent. The final phrase moves between Vou and Thi and ends on Vou.
- The first phrase ends on Thi and then the second phrase ends on Vou. The final phrase ends on Vou, but at the end of this third phrase there is a descent to Ni where the Pa is attracted to the Vou on both the descent and ascent.
Correct

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Question 6 of 8

6. Question
This is part of the 3rd Sticheron of the Praises in 4th Mode Legetos—chanted by Fr Panaretos Filotheitis. Listen to this excerpt and then choose which description matches what you hear. Father Panaretos has chants a lower vou that what you may be used to hearing. For this reason, the Ga may sound sharp sometimes.
- The first phrase ends on Vou and then the second phrase ends on Thi. The last phrase ends on Vou.
- The first phrase ends on Thi and then the second phrase ends on Vou. The last phrase ends on Pa so the ison would shift to Pa at the beginning of this phrase.
- The first phrase ends on Thi. The second phrase ends on Vou and at the end of this phrase there is a descent to Ni where the Pa is attracted to the Vou on both the descent and ascent. The last phrase ends on Pa so the ison would shift to Pa at the beginning of this phrase.
- The first phrase ends on Pa, so the ison would move to Pa at the beginning of the phrase. The second phrase ends on Thi so the ison moves back to Vou at the beginning of the phrase. The last phrase ends on Vou.
Correct

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Question 7 of 8

7. Question
This is part of the 4th Sticheron of the Praises in 4th Mode Legetos—chanted by Fr Panaretos Filotheitis. Listen to this excerpt and then choose which description matches what you hear. Father Panaretos has chants a lower vou that what you may be used to hearing. For this reason, the Ga may sound sharp sometimes.
- The first phrase ends on Vou. The second phrase descends to Ni and you can hear the Pa attracted up to Vou on both the descent and ascent. The third phrase ends on Pa, so the ison would move to Pa at the beginning of this phrase.
- The first phrase ends on Thi. The second phrase ends on Pa, so the ison would move to Pa at the beginning of this phrase. The third phrase descends to Ni and you can hear the Pa attracted up to Vou on both the descent and ascent.
- The first phrase ends on Pa, so the ison would move to Pa at the beginning of this phrase. The second phrase ends on Thi. The third phrase descends to Ni and you can hear the Pa attracted up to Vou on both the descent and ascent.
- The first phrase ends on Vou and the second phrase ends on Thi. The third phrase ends on Vou.The first phrase ends on Thi. There aren't any descents to Ni or phrases that end on Pa.
Correct

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Question 8 of 8

8. Question
This is the first in the second set of the Hymns of Ascent in 4th Mode Legetos—chanted by Fr Panaretos Filotheitis. Listen to this excerpt and then choose which description matches what you hear. Father Panaretos has chants a lower vou that what you may be used to hearing. For this reason, the Ga may sound sharp sometimes.
- The first phrase ends on Vou. The second phrase descends to Ni and you can hear the Pa attracted up to Vou on both the descent and ascent. The third phrase ends on Pa, so the ison would move to Pa at the beginning of this phrase.
- The first phrase ends on Vou. The second phrase ends on Thi. The third phrase ends on Thi. There aren't any descents to Ni or phrases that end on Pa.
- The first phrase ends on Thi. The second phrase ends on Pa, so the ison would move to Pa at the beginning of this phrase. The third phrase descends to Ni and you can hear the Pa attracted up to Vou on both the descent and ascent.
- The first phrase ends on Thi. The second phrase ends on Vou. The third phrase ends on Thi. There aren't any descents to Ni or phrases that end on Pa.
Correct

Incorrect

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