Voice Lab 100 – T4 2023

By Amy Hogg | April 10, 2021

The course materials and resources for this class will remain roughly the same each term as the main focus of this class is the coaching and guided practice found in the live practice sessions.  The practice sessions include guided group and individual practice and feedback on the vocal exercises found in the course materials as…

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Voice Lab 100

By Amy Hogg | April 10, 2021

The course materials and resources for this class will remain roughly the same each term as the main focus of this class is the coaching and guided practice found in the live practice sessions.  The practice sessions include guided group and individual practice and feedback on the vocal exercises found in the course materials as…

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Voice Lab 100 (Add On)

By Gabriel Cremeens | April 10, 2021

If you are enrolled in another class during Term 3, 20201, you may add on Voice Lab 100 at a 50% discount.  The practice sessions include guided group and individual practice and feedback of vocal exercises as well as open coaching for vocal issues students are having. Students will learn to feel, monitor, and control…

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Voice Lab 100 – T2 2024

By Amy Hogg | April 10, 2021

The course materials and resources for this class will remain roughly the same each term as the main focus of this class is the coaching and guided practice found in the live practice sessions.  The practice sessions include guided group and individual practice and feedback on the vocal exercises found in the course materials as…

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Papadic 403: 4th and Plagal 4th Mode (T2-2021)

By Samuel Herron | April 10, 2021

This class continues with the Papadic ‘Octoechos’ in which a Cherubic hymn, Sunday Communion Hymn, and festal papadic hymn in both 4th and Plagal 4th mode will be the focus, covering a total of 6 Papadic pieces in 7 weeks. Performance practice and formula theory and recognition will be the main focus of the Papadic…

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Papadic 401: Introduction to the Papadic Genre – Term 1 2025

By Amy Hogg | April 10, 2021

This course functions as an introduction to the slow melismatic (“papadic”) genre of Byzantine Chant. Students will study the characteristics of each mode’s papadic form and will focus on one representative composition of each mode in this genre. Repertoire will be analyzed in terms of modal theory/intervals, melodic structure/morphology, liturgical execution, and other related topics.…

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Papadic 401: Introduction to the Papadic Genre (Term 4 2022)

By Samuel Herron | April 10, 2021

This course functions as an introduction to the slow melismatic (“papadic”) genre of Byzantine Chant. Students will study the characteristics of each mode’s papadic form and will focus on one representative composition of each mode in this genre. Repertoire will be analyzed in terms of modal theory/intervals, melodic structure/morphology, liturgical execution, and other related topics.…

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Papadic 401: Introduction to the Papadic Genre (Term 2 2022)

By Samuel Herron | April 10, 2021

This course functions as an introduction to the slow melismatic (“papadic”) genre of Byzantine Chant. Students will study the characteristics of each mode’s papadic form and will focus on one representative composition of each mode in this genre. Repertoire will be analyzed in terms of modal theory/intervals, melodic structure/morphology, liturgical execution, and other related topics.…

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Papadic 401: Introduction to the Papadic Genre (Term 2 2021)

By Samuel Herron | April 10, 2021

This course functions as an introduction to the slow melismatic (“papadic”) genre of Byzantine Chant. Students will study the characteristics of each mode’s papadic form and will focus on one representative composition of each mode in this genre. Repertoire will be analyzed in terms of modal theory/intervals, melodic structure/morphology, liturgical execution, and other related topics.…

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