Papadic 411: Long Doxologies
This course will cover 8 settings in English of Long Doxologies and will focus on the theory and performance of the unique style of long doxologies, which in general are some of the most creative and unique musical pieces in the classical Byzantine psaltic repertoire. Course Expectations: There will be limited reading and extensive listening…
Read MorePapadic 405: 3rd Mode & Grave Mode – Term 4 – 2021
This course functions as an in-depth study of papadic repertoire in the 3rd and Plagal 3rd (Grave) Modes. Students will study one Cherubic Hymn and one Communion Hymn in each of the aforementioned modes along with a festal Communion hymn, analyzing each selection in terms of modal theory/intervals, melodic structure/morphology, liturgical execution, and other related…
Read MorePapadic 404: 2nd and Plagal 2nd Mode
This course functions as an in-depth study of papadic repertoire in the 2nd and Plagal 2nd Modes. Students will study one Cherubic Hymn and one Communion Hymn in each of the aforementioned modes along with a festal Communion hymn, analyzing each selection in terms of modal theory/intervals, melodic structure/morphology, liturgical execution, and other related topics.…
Read MorePapadic 403: 4th and Plagal 4th Mode (T2-2021)
This class continues with the Papadic ‘Octoechos’ in which a Cherubic hymn, Sunday Communion Hymn, and festal papadic hymn in both 4th and Plagal 4th mode will be the focus, covering a total of 6 Papadic pieces in 7 weeks. Performance practice and formula theory and recognition will be the main focus of the Papadic…
Read MorePapadic 401: Introduction to the Papadic Genre (Term 2 2021)
This course functions as an introduction to the slow melismatic (“papadic”) genre of Byzantine Chant. Students will study the characteristics of each mode’s papadic form and will focus on one representative composition of each mode in this genre. Repertoire will be analyzed in terms of modal theory/intervals, melodic structure/morphology, liturgical execution, and other related topics.…
Read MorePapadic 401: Introduction to the Papadic Genre (Term 2 2022)
This course functions as an introduction to the slow melismatic (“papadic”) genre of Byzantine Chant. Students will study the characteristics of each mode’s papadic form and will focus on one representative composition of each mode in this genre. Repertoire will be analyzed in terms of modal theory/intervals, melodic structure/morphology, liturgical execution, and other related topics.…
Read MorePapadic 401: Introduction to the Papadic Genre (Term 4 2022)
This course functions as an introduction to the slow melismatic (“papadic”) genre of Byzantine Chant. Students will study the characteristics of each mode’s papadic form and will focus on one representative composition of each mode in this genre. Repertoire will be analyzed in terms of modal theory/intervals, melodic structure/morphology, liturgical execution, and other related topics.…
Read MorePapadic 401: Introduction to the Papadic Genre – Term 1 2025
This course functions as an introduction to the slow melismatic (“papadic”) genre of Byzantine Chant. Students will study the characteristics of each mode’s papadic form and will focus on one representative composition of each mode in this genre. Repertoire will be analyzed in terms of modal theory/intervals, melodic structure/morphology, liturgical execution, and other related topics.…
Read MorePapadic 402: 1st and Plagal 1st Mode
This class begins the Papadic ‘Octoechos’ in which a Cherubic hymn, Sunday Communion Hymn, and festal papadic hymn in each mode will be the focus, covering a total of 6 Papadic pieces in 7 weeks. Performance practice and formula theory and recognition will be the main focus of the Papadic Octoechos courses. Prerequisite(s): All of…
Read MorePapadic 401: Introduction to the Papadic Genre
This course functions as an introduction to the slow melismatic (“papadic”) genre of Byzantine Chant. Students will study the characteristics of each mode’s papadic form and will focus on one representative composition of each mode in this genre. Repertoire will be analyzed in terms of modal theory/intervals, melodic structure/morphology, liturgical execution, and other related topics.…
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